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  NEA ARTS 2007 / Volume 5  
 

Bringing Shakespeare to a New Generation

The Shakespeare Theatre Company's production of Pericles in Washington, DC, as part of the NEA's Shakespeare for a New Generation initiative. Photo by Richard Termine.

When the NEA inaugurated Shakespeare in American Communities in 2003 the agency aimed to "revitalize the longstanding American theatrical tradition of touring." Since then, the NEA has brought Shakespeare to more than 1,700 communities in all 50 states, introducing a new generation of Americans to the English-language's greatest writer. But the Shakespeare program has had more than a cultural impact; the initiative also has provided employment to more than 1,200 of the nation's actors. Add the numerous other theater artists employed on these NEA-supported productions, such as directors, scenic artists, costume designers, and stage managers, and it's safe to double, if not triple, that number. It's also safe to say that some of the nearly one million students who have come to know Shakespeare through these actors and theater artists will join their ranks in the future, introducing yet another generation to the Bard and to the transformative vitality of live theater.

 

 
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The Theatrical Arts

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The Play's The Thing

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From Page to Stage

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The Windy City to the Great White Way

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American Storyteller

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Facing the Water

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A Brave New World

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Conversations and Catharsis

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The Play House

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Bringing Shakespeare to a New Generation

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Making Space

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Exploring Ideas of Theater

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Critics in the Spotlight

 

In the News:

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NEA's New Study on Reading Habits

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Tony Chauveaux Trades Pennsylvania Ave for Presidential Archive

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Craig Noel receives National Medal of Arts

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November National Council on the Arts Meeting