Archive for the ‘The Joy Luck Club’ Category

A Report from the Field: Hillsborough County Public Library (Tampa, Florida)

Monday, May 10th, 2010

May 10, 2010
Tampa, Florida

AMY TAN TWOWeb

Amy Tan. Photo by Bob Shonbrun

Tampa’s Hillsborough County Public Library kicked off its second Big Read May 1 with a special event emceed by local television news reporter, Elizabeth Dinh, featuring a guest appearance by Amy Tan. The Joy Luck Club author was back the next day at the David A. Straz Performing Arts Center where she spoke to a crowd of about 430—mothers, daughters, fathers, sons—about her life. Here’s more from Darlene Harris, the library’s adult programming coordinator, about how Tan’s own tumultuous family relationships informed her first novel:

[Amy Tan] was inspiring because she was real and very humble. She shared intimate stories of the strange and unique bond that mothers/daughters have. I had the fortune of being the person assigned to escort Ms. Tan from venue to venue, and I had the opportunity to talk with her. Let me tell you—she was real, transparent and down to earth. Her story was ‘motivating and inspiring’ was what people were all saying.

She talked about [how], in her thirties, she took up writing fiction. Her relationships with her mother and sisters in China helped to form her Chinese-American identity, which is an integral part of her writings. . . .She also shared stories about her relationship with her father and mother, and how different each relationship was. She adored her father and admitted that she was a daddy’s girl, unlike the relationship with her mother, which was combative at times. Life with her mother was unpredictable. She talked about the death of her father and eldest brother—both died from brain tumors in the same year, and how her mother dealt with it. . . .[H]er mother mov[ed Tan] and her brother to Switzerland, which originally started out as a move to Holland because Mrs. Tan believed it was germ-free. . .She [later] defied her mother’s educational guidance by abandoning pre-med courses and received degrees in English and Linguistics.

To learn more about Amy Tan and her work, visit The Joy Luck Club page on The Big Read website.

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Thursday, October 22nd, 2009

October 22, 2009
Washington, DC

EdithWhartonweb

Portrait of Edith Wharton, photographer unknown. From the collection of the Library of Congress.

Although on the surface Edith Wharton’s The Age of Innocence and Amy Tan’s The Joy Luck Club may not seem to have much in common, each novel is—in its own way—an investigation of the tension between the old ways and the new, between obeying the rules and breaking them. Who belongs and who doesn’t? Here’s what Tan has to say about why Wharton’s classic novel still feels current nearly a century after it was first published.

For me, The Age of Innocence has a lot to do with culture and society, and how we behave and conform so that we belong. It’s also about the ways in which others think we don’t belong, because of perhaps who our parents are, or how we dress or who we know, or how popular we are among others. . . .[W]e’re all concerned at some point in our lives about belonging. We’re especially concerned when we feel that we don’t belong, when a group of people has not accepted us, and you don’t quite know why. It wasn’t maybe necessarily anything you did, but to not belong is a huge threat, I think, to your existence. And you especially experience this in grade school and junior high and high school, and also when maybe you’re the new kid on the block, as I often was, because our family moved just about every year. In situations like that, you feel that someone decides whether you belong or not.  And it may be because you wear plaid and not stripes, or you’re friends with somebody who others don’t like. 

Often the rules and requirements are understood, but not spoken about. People notice why you’re less than they are, but they don’t tell you. Or you see something really embarrassing, but you pretend not to notice, even though you did. That is, to me, what The Age of Innocence is about, that pretense of innocence. . . .You’re measured by who your family is, you know, in the novel. You’re a Rushworth and you’re not one of the newer immigrants, you’re one of the older families. You didn’t have a quirky relative, a funny aunt who married too often, or your aunt didn’t dress you funny as a kid at the funeral.  And all these things, your behavior, and what happened long ago are never forgotten.  In this society that Edith Wharton talks about, all of this determines who you are throughout your life. 

To learn more about Edith Wharton and her works, visit The Age of Innocence page on The Big Read website.

 

 

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Friday, October 2nd, 2009

October 2, 2009
Washington, DC

JLCTeaWeb

The Art of Tea at the Gillis Branch Library during Fresno Public Library’s Big Read of The Joy Luck Club. Photo by Roberta Barton

Here’s a short take from novelist-critic-scholar Carolyn See on what makes Amy Tan’s The Joy Luck Club read-worthy.

[Amy Tan] listened incredibly.  What made this book so amazing to me, I think, is that she does capture eight different voices.  They’re all gradations of Chinese American-ness, and all she did was just listen. When you have a really excellent writer they’re not making it up out of themselves. They’re listening to the larger universe and funneling it through.  And I think that’s what makes that first scene in the living room so amazing is that, again, these are voices that have been out there, but nobody has heard and nobody’s written it down. I think her astonishing quality is that she just listens to her characters and lets them talk.

What’s your take? Let me know your thoughts on what you think it takes to write an enduring novel, and I’ll post your answers in a future blog.

And don’t forget to check out The Big Read calendar to find a Big Read taking place near you.

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Wednesday, September 2nd, 2009

September 2, 2009
Washington, DC

writingfromewalk

By e_walk from Flickr

While ostensibly focused on two different cultures, Louise Erdrich’s Love Medicine and Amy Tan’s The Joy Luck Club actually have a lot in common. Both novels are comprised of  interconnected stories, which layer the past and future to explore ideas about what we gain and what we lose through our family relationships. In an interview with the NEA, Tan spoke about how Erdrich’s first novel—published five years before Tan’s—influenced her at a very critical point in her fiction writing career.

I started writing fiction in 1985.  I was seriously looking at the notion that I should write fiction and try to do it the rest of my life. . . I started writing a number of different short stories.  They weren’t all of the same family, and it never occurred to me I would write  a book of them. They were just separate stories.

Then one day I was in Hawaii, and I started reading this phenomenal book, Love Medicine, by Louise Erdrich. Somebody had recommended this to me—I wish I could remember who—but I started reading this, and all of a sudden it was like electricity going through the top of my head and through my body because these were the kinds of stories that I was trying to write.

This was about families and history and finding layers.  I was finding layers of myself by starting to write a few of these [stories], and here was a complete book of somebody who had found that, whether these are specifically her family or not. . . [The stories] were told in different voices and that was what was exciting as well, that each of these voices, each was different and they were voices of men and women and of different generations. I read this, and I thought “How does this writer know these things?” 

So [Love Medicine] gave me encouragement but it also gave me permission, in a way, to write these different stories of people based in a community, and that would be my framework for continuing to write them. . . .{It also gave me] a new challenge to hone in on voices and what was particular about a voice. It’s more than diction, it’s more than just a way of speaking.  It is what each of these people believe and how they go about their lives based on that belief.
 

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Friday, May 15th, 2009

May 15, 2009
Washington, DC

Yesterday, the Arts Endowment announced 11 new NEA National Heritage Fellows , the best of the best of the nation’s artists working in the folk and traditional arts. Tradition is at the heart of many of the Big Read titles, from the rigid etiquette of “Old New York” in Edith Wharton’s The Age of Innocence and Henry James’s Washington Square to the immigrant traditions that permeate Amy Tan’s The Joy Luck Club and Willa Cather’s My Ántonia. In the following literary moment, 2006 NEA National Heritage Fellow Charles M. Carrillo, a New Mexican anthropologist and santero (a carver and painter of images of saints), discusses one of the many traditional beliefs at the heart of Rudolfo Anaya’s Bless Me, Ultima.

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Tuesday, May 12th, 2009

May 12, 2009
Washington, DC

May is Asian/Pacific American month. Looking for a way to celebrate? There’s still time to check out Great Columbus Arts Council’s Big Read of Amy Tan’s The Joy Luck Club.

To get you started, from The Big Read Reader’s Guide to The Joy Luck Club, here’s Amy Tan on the importance of reading.

“In childhood, reading provided a refuge for me, especially during difficult times. It provided me with the idea that I could find an ending that was different from what was happening at the time. Imagination is the closest thing that we have to compassion and empathy. When you read about the life of another person, you are part of their lives for that moment. This is so vital, especially today, when we have so much misunderstanding across cultures and even within our own communities.” — Amy Tan

WHAT PAGE ARE YOU ON?

Friday, March 13th, 2009

March 13, 2009
Washington, DC

The Joy Luck Club author Amy Tan has said that everyone has a story in them. Find out more about why Tan writes in the new Big Read film A Conversation with Amy Tan.

From Paulette’s Desk

Thursday, February 26th, 2009

February 26, 2009
Washington, DC

I remember how thrilling it was to learn how to cross the high-traffic Merrick Boulevard by myself when I was a second grader. (I also remember that when my mother let me cross the street by myself to go to ballet lessons, I made my teacher call her to make sure it was okay for me cross the street by myself on the way back!) Well, it turns out that “Stop, look, and listen” aren’t just good rules to follow when crossing the street. It’s also great advice for browsing the newly expanded Big Read Web site.

STOP wondering what to do with your free time. Check out The Big Read calendar to find an event taking place near you.

LOOK at the new films on Ray Bradbury and Amy Tan to get the inside track on these popular Big Read authors.

LISTEN to an excerpt from a Big Read audio guide like this one of author Richard Rodriguez talking about John Steinbeck’s rendering of California in The Grapes of Wrath.

And I’ll add a fourth “do” to the list — REPEAT!

WHY READ?

Thursday, February 19th, 2009

February 19, 2009
Washington, DC

Happy Birthday today to Big Read authors Carson McCullers (1917-67) and Amy Tan (1952)! From the Reader’s Guide to The Joy Luck Club, here’s Amy Tan’s take on “Why read?”

In childhood, reading provided a refuge for me, especially during difficult times. It provided me with the idea that I could find an ending that was different from what was happening at the time. Imagination is the closest thing that we have to compassion and empathy. When you read about the life of another person, you are part of their lives for that moment. This is so vital, especially today, when we have so much misunderstanding across cultures and even within our own communities.

Want more from the Reader’s Guide? Peruse away at The Big Read Web site.

Bad Book! Bad!: A Brief for “Quality Challenges”

Thursday, August 9th, 2007

August 9, 2007
Washington, DC

No two people ever read the same book. Partly, this is because few people ever read the same two books in a row. Every book we read, we also read juxtaposed against the book before and the one after.

For example, if you read the first 21st-century novel on the Big Read list, Tobias Wolff’s Old School, back to back with Big Read mainstay The Joy Luck Club, you might come away reflecting on the ways two very different short story writers have transmuted a few rudiments of their personal histories into their first acknowledged novels. (Wolff had a rookie effort he’s not real proud of.) But if you read a doubleheader of Old School and, to pick another Big Read title, Wharton’s The Age of Innocence, what jumps out at you might be how two self-deceiving male protagonists look back on their lives and justify their mistakes.

Steel sculpture of books with authors' names

The Banned Authors monument in Berlin.
Source: Flickr

 

I mention this because the importance of reading juxtaposition also goes for newspaper articles. Here’s a quote from a piece in the August issue of The Hill Rag, a better than average neighborhood newspaper here in town, about D.C.’s retooled Southeast Branch Library:

[Some readers, like Friends of Southeast Library's] Wendy Blair, believe the Southeast collection now suffers from citywide library policies that sell readers short. “The idea that a library is a repository of the books you can’t buy or keep at home seems to have been shelved,” said Blair. “And the choice of which books — lots of Danielle Steele, no Jane Austen — seems sad.”

Taken by itself, this is interesting enough. It recalls the flurry of attention in the Washington Post and elsewhere last year when it came out that a Virginia library system was weeding its holdings based on circulation numbers. (Sadly needless to add, Hemingway’s A Farewell to Arms and many other American classics were taking it on the chin.)

Now, watch what happens when you read that Hill Rag graf alongside this, from a recent issue of the South Jersey Courier-Post:

“The [school] board also passed a resolution affirming the use of Amy Tan’s The Joy Luck Club in the high school English curriculum. The vote was 6-2…A committee reviewed the novel, which details the lives of Chinese-born mothers and their American-born daughters, after a resident complained of passages described as sexual in nature.”

This, too, shouldn’t shock anybody who’s already noticed the curriculum wars bedeviling American school districts lately. But read it within a few days of that library-weeding piece, and it gives rise to the following modest proposal:
What would happen if an American library user (or parent) challenged a book, not on grounds of obscenity, or sacrilege, or any of the other reasons usually trotted out with the best of intentions — but because the book stinks?

Put another way, what if somebody challenged any of the widely read but unspectacular novelists whom libraries regularly stock in quintuplicate, solely because the potboiler is just flat-out not as good as the one copy of Sense and Sensibility it would displace?

Whoa, you say. Doesn’t that put local boards in the position of making subjective judgments? Yes — but that’s exactly what they’re already doing! Deciding whether a book qualifies as profane or blasphemous is every bit as subjective as weighing in on its literary value.

Unlike “appropriateness challenges,” though, “quality challenges” would get cities and towns talking about what really matters in literature, e.g., how much fun it is, how interesting it can be to talk about, how good language can work a reader over on frequencies, and at depths, that nothing else can quite reach. That, or it’ll make a mockery of book challenges altogether, which might not be so bad either. Either way, it’ll get people talking about books in terms of how good or bad they are, in addition to how godless or dirty.

All I’m saying is, if somebody else gets to challenge a venturesome book because the sight of it makes them want to cover their eyes, then I should have the same privilege because a bad book makes me want to hold my nose. Whether I have that privilege, we’ll find out when I visit the Southeast Library this week and try to challenge the worst book I can find…