Posts Tagged ‘writer quotes’

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Friday, February 5th, 2010

February 5, 2010
Washington, DC

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View from my bus stop after the last round of snow in metro DC.

Here in Washington, DC, we’re preparing for snow. As I ponder a weekend spent indoors with a lovely pile of books (thank goodness I’m not in charge of shoveling!), how fortuitous to stumble upon this quote by Edith Wharton.

The early mist had vanished and the fields lay like a silver shield . . .It was one of the days when the glitter of winter shines . . . .

What are your favorite literary quotes about snow or other seasonal weather? (And don’t forget to visit The Big Read calendar to find out where there’s some Big Reading taking place near you.)

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Thursday, January 28th, 2010

January 28, 2010
Washington, DC

toysoldiers

#6 by Jorge Miente via Flickr (http://www.flickr.com/photos/jorgemiente/ / CC BY-NC-ND 2.0)

 Three of the novels in The Big Read library are composed of interlinked stories: Amy Tan’s The Joy Luck Club, Louise Erdrich’s Love Medicine, and Tim O’Brien’s The Things They Carried. Here’s O’Brien’s gem of an explanation (as you’ll see, pun intended) on the structure of his novel.

I wanted to have self-contained stories; I think all chapters of books ought to be, anyway.  You shouldn’t just arbitrarily end a chapter and say, “Well, continue it.”  There has to be some sense of resolution. . . And yet, I wanted each section or story to receive the light of other stories the way it would in a necklace.  Or one gemstone would receive the light of the ruby next to it.  And that would receive the light of the diamond and other rubies.  So that although they are meant to stand alone, and one would hope you could appreciate the story on its own, it seems to me that in the end, you aim ambitiously for what  writers worth their salt aim at. . .making a book of art of some sort.  And that’s the sense of pieces being in position so that they can reflect.  That was a big part of putting [The Things They Carried] together and deciding what to write.  So that pieces are capable of not just reflecting, but absorbing the light of other pieces.

Where are they reading The Things They Carried or another Big Read title near you? Check The Big Read calendar to find out.

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Wednesday, January 27th, 2010

January 27, 2010
Washington, DC

LibrarywithReaderFlickr

“A library user in its natural habitat” by Molly Ali from Flickr (http://www.flickr.com/photos/mollyali/ / CC BY-NC 2.0)

On the one hand, there’s ample evidence that literary reading is not as popular a pasttime as it used to be. On the other hand, when you hear all of the enthusiastic testimonials from folks who are participating in The Big Read and other reading programs and projects, it’s clear that there are entire towns, cities, and, even, states full of people that still have books at the top of their to-do lists. In this excerpt from a conversation with the NEA, Marilynne Robinson chimes in on the persistent nature of literary culture.

I do think that how people spend their time, and people often have limited time, is responsive to what they feel about the world. I think that a lot of people are reading what they find on the Internet,and a lot of this is information of a valuable or interesting kind, you know. I think that there’s a lot of interest in nonfiction because there are lots of problems that are cultural and social problems that are addressed by nonfiction.  I think that, in my own experience going around doing readings and so on and talking to other people who do them, there is a very passionate reading audience. I don’t know how large it is, but there are some very intense readers out there. 

I think that the literary culture of a civilization is sort of, it’s like the musical culture, you know.  It’s profoundly expressive and reflective in a way that is, perhaps, not easily articulated. But I think that you can see in this culture, odd as its forms are, sometimes, that there’s a kind of coherence that is established in cultural life by music. I think that this is true also when a culture is producing strong literature, that it becomes a way in which a culture can converse with itself and can form its idea of value in life, the esthetic, the beautiful. I mean the oldest art we have is narrative literature, which has been very meticulously maintained, by who knows who, over eons. I think that there’s a very strong impulse in human cultures to produce this kind of culture; it’s hard to imagine it being lost.  It’s sort of like imagining that people will stop dreaming, you know.

To find a Big Read even near you, visit The Big Read calendar. Don’t forget the last day to apply for a Big Read grant for 2010-2011 is Monday, February 2.

 

 

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Monday, January 11th, 2010

January 11, 2009
Washington, DC

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Amherst, Massachusetts in 1886 by the Burleigh Lithograph Company, from Library of Congress collection.

With New Year’s resolutions very much on everyone’s mind, I’m struck by this quote by Emily Dickinson, taken from a letter to her brother.

 

I have dared to do strange things, bold things. . . .—Emily Dickinson

 

Learn more about Emily Dickinson and her work from The Big Read educational materials.

HAPPY BIRTHDAY EMILY DICKINSON!

Thursday, December 10th, 2009

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Postcard of Amherst, Massachusetts, 1886. From Library of Congress collection.

“I find ecstasy in living—the mere sense of living is joy enough.” — Emily Dickinson  

Visit The Big Read website to learn more about Emily Dickinson and her work.

HAPPY BIRTHDAY WILLA CATHER!

Monday, December 7th, 2009

Washington, DC
December 7, 2009

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Willa Cather photographed by Carl Van Vechten, January 22, 1936. From Library of Congress Carl Van Vechten collection.

Happy Birthday to Willa Cather, who was born in Back Creek Valley, Virginia, 136 years ago today. In May 1925, Cather traveled to Brunswick, Maine, to present a lecture as part of Bowdoin College’s “Institute of Modern Literature.” As reported in the evening edition of  the Boston Globe, here’s an excerpt of the author’s thoughts on technique and the novel. (If you’re interested in reading more of Cather’s speeches, public letters, and interviews, browse the Willa Cather archives hosted by the University of Nebraska-Lincoln.)

“Technique, as it applies to a novel, is full of faults, as nearly all great novels have great blemishes from the standpoint of technique. Novels live by their plusses, not by their minuses. They live because of what they have, not because of what they lack. You cannot improve on the technique of a great writer, because his faults are necessary. Laboratory methods are best in science, but have no place in art.”

Learn more about Willa Cather and My Antonia from The Big Read educational materials.

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Thursday, October 1st, 2009

October 1, 2009
Washington, DC

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Tim O’Brien read from his memoir-in-progress (on fatherhood) to a capacity crowd in the NEA Poetry and Prose Pavilion at the 2009 National Book Festival in Washington, DC. Photo by Tom Roster

HAPPY BIRTHDAY TIM O’BRIEN! O’Brien’s The Things They Carried is certainly a book about the Vietnam War, but it is also a book about how to tell a story. In this interview excerpt, O’Brien shares his thoughts on fiction and the difference between what he calls “the story truth” and “the happening truth.”

Well, I can make an effort to distinguish between the two. There are times in life when an event occurs and you go to tell about it. And you’re utterly and absolutely factual in your effort to recount what occurred.  But when you’ve finished, it feels as if, somehow, a part of the truth is missing, even though the facts are there.  And there are other times in life when you begin exaggerating and revving up the facts, maybe adding a little bit here, subtracting a bit there; it is a way of trying to get at an emotional or spiritual or psychological truth. 

So, for example, there’s a chapter in The Things They Carried called “On the Rainy River.”  And it’s a story of a fellow who bears my name, Tim O’Brien, who gets drafted and heads for the Canadian border. He spends six days on the Rainy River, which separates Minnesota from Canada, trying to decide should [he] cross that river and go to Canada or should [he] go to the war.  Well that never happened.  I did not get in my car and drive to the Rainy River, although I was drafted.  I didn’t spend six days there.  In fact, I’ve never been there in my life.  The characters that are up on the Rainy River don’t exist. 

And yet, although the story is largely invented, it feels to me truer in a way than the literal truth that I could recount about that terrible summer I was drafted. The literal truth would be to say I played golf. I worried a lot [and] had trouble sleeping. And that pretty much would be it.  I could tell you about my pars and my bogeys, and it’d all be true.  And I could describe the golf course, and that would be true.  But it would have little to do with what was happening inside me the summer I was drafted.  That horrible squeeze that I felt on my psyche or my soul. 

And that’s probably as close as I can get to explaining the difference between the two.  It has to do in the end with why I write fiction. I make things up, yes. And invent a whole bunch of stuff. But it’s an effort to get at, you know, certain emotional or spiritual truths that I can’t get at by recitation of fact.       

 Here’s who’s reading, discussing, and celebrating The Things They Carried this month: Kaskaskia College Learning Resource Center Library (Centralia, IL); Lewis & Clark Library (Helena, MT); Scranton Public Library (Scranton, PA); Shrewsbury Public Library (Shrewsbury, MA); and West Plains Council on the Arts (West Plains, MO).