Nick Spitzer

Headshot of a man.

Photo by Rusty Costanza, courtesy of Tulane University

Folklife Presenter, Educator, and Radio Producer

Wu Man

A woman playing a large string instyrument.

Photo by David Bazemore

Pipa Player

Luis Tapia

A man poses infront of a doorway crowned with a painted sculpture.

Photo © Jack Parsons. Courtesy Luis Tapia

Sculptor, Hispano Woodcarving Tradition

Elizabeth James-Perry (Wampanoag Tribe of Gay Head, Aquinnah)

A woman poses for the camera.

 Photo courtesy of Elizabeth James-Perry

Wampum & Fiber Artist

Roen Kahalewai Hufford (Hawaiian)

A woman poses next to a wall hanging.

Photo by Lynn Martin Graton

Kapa Maker

Joe DeLeon “Little Joe” Hernández

Headshot of a man.

Photo credit Mark Del Castillo

Tejano Music Performer

R.L. Boyce

A man holding a guitar.

Photo by Rustin Gudim

Hill Country Blues Musician

Michael A. Cummings

Headshot of a man.

Photo courtesy of the artist

African American Quilter

Ed Eugene Carriere (Suquamish)

A man standing by the water with a basket strapped to his head.

Photo by Stuart Isett

Suquamish Basketmaker

Sneak Peek: Louis Hayes Podcast

Louis Hayes: The Jazz Messengers was disbanding, and Art Blakey was keeping the name Jazz Messengers, and Horace Silver, the pianist, was starting his own band. So Doug Wattles and Donald Byrd said to Horace Silver to get me from Detroit to be in the group. So Horace Silver called me in August of 1956, and that just that fixed me right up. My dreams were coming true. And so I came to New York to join Horace Silver at that time. And that period with Horace Silver was just magnificent. He wrote so much music, and we got along at such a high level. So that's how I started my career at this place that I always wanted to be: New York.