Fellows at the Festival

The official poster for the National Book Festival showing three colorful books balanced atop each other

Poster design by Rodrigo Corral Studio and Tyler Comrie. Illustration and animation by Justin Metz

Relive highlights of the 2020 National Book Festival with these videos of NEA Literature Fellows.

Chairman's Corner: October 1, 2020

Jo Reed: I'm Josephine Reed from the National Endowment for the Arts with The Chairman's Corner, a weekly podcast with Mary Anne Carter, Chairman of the Arts Endowment. This is where we'll discuss issues of importance to the arts community and a whole lot more.

This week, on September 29th, we celebrated the 55th anniversary of the National Endowment for the Arts. Back in 1965, on September 29th, President Lyndon B. Johnson signed into law the National Foundation on the Arts and Humanities Act, and that created the National Endowment for the Arts and the National Endowment for the Humanities. And Mary Anne, why don't you tell us a little bit about the act? Because it's important for us to know and think about.

Mary Anne Carter: Yes, Jo, and thank you. And, you know, it is as relevant now as it was 55 years ago. At the beginning of the act's text is a declaration of findings and purposes. And it lays out 12 reasons for this legislation, and what it means for the nation. The findings and purposes are powerful statements that place the arts and humanities at the heart of our society, essential to an advanced civilization and the wellbeing of the American people. And Jo, I just want to read 2 of those 12. Number four read, "democracy demands wisdom and vision in its citizens. It must therefore foster and support a form of education and access to the arts and the humanities, designed to make people of all backgrounds, and wherever located, masters of their technology and not its unthinking servants."

I just love that, I think that's so powerful, and we always talk about access to the arts, and that being the main mission of this agency. And then, I'll just briefly-- want to mention number ten, also. "It is vital to a democracy to honor and preserve its multicultural, artistic heritage, as well as support new ideas, and therefore, it is essential to provide financial assistance to its artists and the organizations that support their work." Stirring words indeed, and one that the National Endowments for the Arts work to fulfill, every single day.

Jo Reed: When we celebrated our 50th anniversary in 2015, the office of public affairs developed a timeline that gave one example of an outstanding project or accomplishment for each year, going back to 1965. And I'm wondering what you would add to that timeline now.

Mary Anne Carter: I would add to that timeline by focusing on two agency accomplishments in the last five years, although we've had a significant number of accomplishments. But I would just add one from 2016 and one from 2017. In 2016, the National Endowment for the Arts received a special Tony Award for its unwavering commitment in paving the road between Broadway and cities throughout the US. Jo, as you know, the Tony Awards recognize excellence in live, Broadway theater, and are presented by the American Theatre Wing and the Broadway League every year. At the time of the agency's recognition, Charlotte St. Martin, President of the Broadway League, said, "Over the past 50 years, since its inception, the agency has funded 18 Tony Award-winning plays and 15 Tony Award-winning musicals, not to mention offering vital support to hundreds of theater professionals. They are invaluable to our industry and to our nation's cultural legacy." And the plays and musicals that Charlotte mentions were supported by the arts endowment as new productions that incubated in our nation's regional, nonprofit theaters. And having garnered success there, those productions transferred to Broadway, extending the life and the commercial success of new work, and connecting those works with bigger audiences.

Jo Reed: Well, give us a couple of examples of some of the plays we helped birth.

Mary Anne Carter: Sure. A couple examples from 2008 to 2018 include "The Humans," which won the Tony Award in 2016 for Best Play and was presented by Roundabout Theatre Company. "August Os-- I'm not doing this one.

Jo Reed: Okay, leave it. I think it's Osage County.

Mary Anne Carter: Osage. Is it August--

Jo Reed: But I would not bet my dog's-- it's August.

Mary Anne Carter: Or August?

Jo Reed: No, it's August.

Mary Anne Carter: Okay, okay. I'll do that. "August Osage County," which won the Pulitzer Prize for Drama in 2008 and presented by Steppenwolf Theatre. "The Band's Visit," that won ten Tony awards in 2018 including Best Musical, and that was presented earlier by the Atlantic Theatre Company. And last but by no means least, "Hamilton," that won eleven Tony Awards and the 2016 Pulitzer Prize for Drama and presented earlier at the Vassar Reading Festival.

Jo Reed: That's a really impressive list. What's the other accomplishment that you wanted to mention, Mary Anne?

Mary Anne Carter: One that doesn't get a lot of attention but is hugely important. In 2017, the disaster relief provided by the agency after Hurricane's Harvey, Irma, and Maria in regions designated as major disaster areas by the Federal Emergency Management Agency, or FEMA. You know, the arts endowment has-- had provided funds and other support for disasters before and since 2017, but in that year, three hurricanes laid waste to parts of Florida, Puerto Rico, Texas, and the US Virgin Islands. And the arts endowment worked very closely with the state arts agencies in those states and territories. Let me start that one again. The arts endowment--

Jo Reed: Okay.

Mary Anne Carter: The arts endowment worked very closely with the state art agencies in those states and territories to assess conditions on the ground and get funds to arts organizations in need. Those funds eventually totaled more than $866,000.

Jo Reed: But that work in those regions didn't stop in 2017.

Mary Anne Carter: That's right. Disaster relief is a long-term challenge. The work went beyond 2017. The work continues today. Two arts endowment staff, Brian Lusher and Andi Mathis, working with other US agencies, have provided technical support to preservation specialists and arts agencies in Puerto Rico and the US Virgin Islands. And during Brian's deployment to Puerto Rico, he aided the recovery of historic properties and districts. And during Andi's deployment to the Virgin Islands, she met with local artists and arts administrators about using the arts to help people who were traumatized by the storm's destruction. And both Andi and Brian have since returned to the Islands to carry on this vital work, and they'll continue to. And, you know, I'm just so proud of the arts endowment ongoing efforts in disaster relief. And as I said, it's not one of the issues that draws a lot of attention, but it is so vitally important.

Jo Reed: Indeed it is. Well, Mary Anne, I think that's a good place to leave it. Thank you.

Mary Anne Carter: Thank you, Jo.

Jo Reed: Thank you.

That was Mary Anne Carter Chairman of the National Endowment for the Arts.

Keep up with the arts endowment by following us on twitter @neaarts.

For the National Endowment for the Arts, I’m Josephine Reed. Stay safe and thanks for listening.

Music Credit: “Renewal” composed and performed by Doug Smith from the cd The Collection.

 

Reading Between the Lines with Dialect Coach Jerome Butler

Man wearing sunglasses outside holding coffee cup.

Photo by Paul Schiraldi

Jerome Butler has been helping actors get through the minefield of dialects for close to two decades.
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Inside the Calder Installation with Mark Leithauser

Museum filled with sculptures and mobiles

Installation view of Alexander Calder: A Survey in East Building, Tower 2 galleries at the National Gallery of Art. Copyright © 2016 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo by Rob Shelley. Photo copyright © 2016 Board of Trustees, National Gallery of Art, Washington

So what goes into mounting an exhibition at one of the world’s most venerable museums? In this video, Leithauser explores the process of envisioning and implementing the vibrant Alexander Calder installation in the museum’s remodeled East Wing. The amount of detail, from choosing the right wall color to positioning lights, is remarkable.
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Each One Teach One

a man holding a guitar in his luthier's workshop

1995 NEA National Heritage Fellow Wayne Henderson. Photo by Tom Pich

1995 National Heritage Fellow Wayne Henderson, noted luthier and musician, is rooted in the mountains of southwestern Virginia—as is the traditional and bluegrass music he holds so dear to his heart.
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Donald Byrd and the Art of Education

Man sitting in barber chair blowing a trumpet.

2000 NEA Jazz Master Donald Byrd. Photo courtesy of Keith Killgo

NEA Jazz Master Donald Byrd started jazz studies programs at three colleges, including the prestigious program at Howard University in Washington, DC. It was at Howard where he founded, shaped, and produced the inimitable band the Blackbyrds, a significant component of his legacy.
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Big Car: Making Every Day Art in Indiana

People on the sidewalk of a city doing hula hoop near a ping-pong table.

Big Car Collaborative's project Spark Monument Circle in Indianapolis, Indiana. Photo courtesy of Big Car

Big Car Collaborative is able to create programs that bring artists and residents together to build stronger communities because of the support it’s received on the local, state, and federal levels:  from the Arts Council of Indianapolis, the Indiana Arts Commission, and the National Endowment for the Arts.
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Tracy K. Smith and Rita Dove Reading Their Poetry

quotes by poets Rita Dove and Tracy K Smith
In this excerpt, Tracy K. Smith and Rita Dove each read and discuss a new poem.
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Poets Laureate Rita Dove and Tracy K. Smith in Conversation

Collage of two African American women in portrait.

Rita Dove (photo by Fred Viebahn) and Tracy K. Smith (photo by Rachel Eliza Griffiths). 

Rita Dove and Tracy K. Smith share a few things in common beyond the fact that they are African-American female artists. They are also professors at top universities (Dove: University of Virginia, Smith: Princeton), and Pulitzer Prize-winning U.S. Poets Laureate. No big deal.
Audio

Emily Pilloton

Woman holding out her hands full of ink.

Emily Pilloton, founder and executive director of Project H Design and Girls Garage. Photo courtesy of @Project H Design/Girls Garage

Designer and builder Emily Pilloton believes deeply in design-based education, learning by doing and work benefitting the community. To that end, she founded Project H Design—a nonprofit aimed at bringing design projects to local neighborhoods and supporting experiential learning for kids.
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