Dee Dee Bridgewater on Studying Betty Carter

BETTY CARTER AND LEARNING HOW TO LEAD [:60]

RUFFIN: NOW A JAZZ MOMENT

NEA JAZZ MASTER DEE DEE BRIDGEWATER LEARNED HOW TO OWN THE STAGE BY STUDYING FEMALE VOCALISTS LIKE BETTY CARTER.

Dee Dee Bridgewater: I called myself her puppy dog. I was her shadow. I would go to any performance that she would have in New York City. I would reserve my seat. I would always sit alone. I did not want to be distracted. I needed to understand what Betty Carter was doing.

What a Little Moonlight Can Do

Betty led her own bands. I didn’t understand that. I had never seen someone with that much freedom. So my way of being on stage, that came from Betty Carter. That kind of physical freedom that Betty exhibited—that’s where I got it from. I took it from her. I took it from Etta James. I took it from female performers who were very physical and who were visceral (laughing).

THIS JAZZ MOMENT WITH DEE DEE BRIDGEWATER WAS PRODUCED BY THE NATIONAL ENDOWMENT FOR THE ARTS.

Excerpt of “What a Little Moonlight Can Do” composed by Harry M. Woods and performed by Betty Carter, from a live concert in 1982, used by permission of Music Sales Corp. and Warner Chappell Music Inc. [ASCAP].