Antony Shugaar

Antony Shugaar

Photo by Chad Van Herpe

Bio

I first visited Italy as a boy, age 16, and returned as a refugee from an educational shipwreck, at age 20. I turned 21 in a small mountain town in the north, dining with my new employers and being wished happy birthday in a language I wouldn’t have understood when I turned 20.

I set about trying to make sense of my new home, my new universe. I took a first step that same evening, in the best way I knew how, using the tools of humor and analysis. I carefully counted the number of agnolotti in my bowl from one end to the other, and then multiplied by 3.1416. In fact, the result was the total number of agnolotti in the bowl.

Since then, I’ve set about encompassing the country and culture I love with a combination of rudimentary surveying tools, old-fashioned dictionaries, and a smattering of physical anthropology.

There is a narrative of the past half century of Italian life and literature that has struggled to come through to English readers. It is the story of the rise and fall of Europe’s most powerful Communist Party and the years of living dangerously that accompanied it.

In Il desiderio di essere come tutti (Wanna Be Like Everyone), Francesco Piccolo recounts his, and Italy’s, coming of age—the loss of one beloved leader, Enrico Berlinguer, and the advent of a ghastly replacement, Silvio Berlusconi, long viewed as the worst excess of a retrograde political shift, until even he was outclassed by more startling examples of the species.

It has been my good fortune to be drawn into an exciting new publishing venture. With Dr. Clorinda Donato at California State University at Long Beach, and through the generosity of Mario Giannini, we are founding a new publishing house, Metaphor Press. The first title in our catalogue will be Wanna Be Like Everyone, by Francesco Piccolo. Many more equally interesting titles will follow.

from Wanna Be Like Everyone by Francesco Piccolo

[Translated from the Italian]

I was born one day in the early summer of 1973, at the age of nine.

Until that moment, my life, and all the things that happened out in the world, were two separate entities that simply had no way of intersecting. I stayed safe at home in my family’s apartment, in my courtyard, in my city; with my parents, my brothers and sisters, the kids from school, relatives, and friends­—and the events that I saw on television instead occurred on some distant planet. Every so often the grownups did talk about those events, about the world and about Italy in particular; that meant we took some interest in what happened outside our own life. Still, none of us had anything to do with it. Me, least of all.

School had just let out for summer. Massimo, who sat next to me in class, invited me over to his house to play in the afternoons. He was very rich, he had a gigantic villa in Briano. He had just met a kid from the town of Briano, who was short and had lots of freckles and not much hair; this kid couldn’t sit still, spoke only in dialect, and seemed to know all about everything in great detail, as if he were a grownup in the body of a little kid. Massimo and I kept our mouths shut, listened to him, and then did whatever he was doing. He told us he’d take us to a secret place, if we had the courage to come along. We immediately said yes, though we were actually scared. We met up the next day and, even though it was already late, the sun just wouldn’t set, and the freckle-faced kid told us to follow him. We went through the woods; he knew exactly where to go and how to get there. He’d done this lots of times before, he said. And he told us that we were not to say a word to anyone else about it. We swore we wouldn’t, and asked no questions.

Our path ended at a wall. Fairly high, but not too high. Just a little further, he said a couple of times, and led the way. We walked along, our shoulders brushing against the wall. Then we came to a place where he said: Here. He wedged his foot into a little nook that he knew about, hoisted himself up, grabbed the edge of the wall, and pulled himself up to the top. Just do like me, he said. Then he jumped down the other side, vanishing from sight. Massimo did exactly the same thing.

Now it was my turn. Over on the other side, Massimo was calling to me: Come on, jump up. Over on this side, I was afraid I wouldn’t be able. I grabbed the wall, lifted my foot, looking for a foothold that would support me, and then hauled myself up expending much greater effort than I’d seen either of them require; then, pressing my whole torso against the edge, I hauled myself up to the top of the wall. And then I jumped down. There was no longer anyone there waiting for me. I was still surrounded by trees, but now I was on the far side of the wall, where the light streamed down strong and bright: but the trees, I realized, were few and far between. Just beyond the trees, I saw the two of them, standing still and looking around.

So I, too, came forth into the light.

Original in Italian

About Francesco Piccolo

Francesco Piccolo is an Italian author, journalist, screenwriter, and artistic director. He was born in Caserta, outside Naples, and now lives in Rome.

He has written a dozen books, which focus on personal stories, popular culture, and politics. Among them, Il desiderio di essere come tutti (Wanna Be Like Everyone, Einaudi, Turin 2013), winner of the Premio Strega in 2014.

Piccolo has also written award-winning works for cinema, theater, and radio. He has written screenplays for such prominent Italian directors as Nanni Moretti, Paolo Virzì, Francesca Archibugi, and Silvio Soldini. He’s been a writer for many Italian TV shows. He is a regular contributor to the Corriere della Sera. And most recently, he has been the lead writer on the HBO multi-season Elena Ferrante series, My Brilliant Friend.