The presence of people of color in the arts—both artists and audiences—has helped shape every facet of our culture. However, these immense contributions have not yet been fully recognized as an essential part of our American story.

We see this moment as an opportunity for the arts sector to rebuild in ways that benefit all Americans. Over the next several months, the National Endowment for the Arts will engage in a process of centering equity and justice—along the lines of race, ethnicity, gender, disability, religion, gender identity and sexual orientation, geography, poverty, and the infinite ways these intersect—in everything we do. This work is just beginning, but we are hopeful that it will bring lasting, system-wide change.

In this issue of American Artscape we write about projects from Wideman Davis Dance, Cave Canem, Arts Corps, and Chamber Music Tulsa, as well as a Citizens Institute on Rural Design project in Athens, Ohio. These are, of course, just a few of the countless stories about incredible organizations across the country whose missions have always been to promote the work of Black artists, to show us that Black art matters, and to use the arts as a tool for racial and social justice. By showcasing this work and helping share the Black artistic experience, we hope that the Arts Endowment is taking a small step on the long road toward equity in the arts.